Origin and tradition: The Grand Ducal photo collection from the reign of Frederick I and his wife Luise probably originated from gifts, orders and acquisitions (e.g. while travelling). It is not yet possible to say to what extent there was a real will to collect, but the collection was carefully preserved, partly noted in inventory lists and probably moved from Karlsruhe Castle to the New Palace in Baden-Baden in 1919. There, even after the death of Grand Duchess Luise, he occasionally grew. When the castle inventory of 1995 was dissolved, the State of Baden-Württemberg was able to acquire the entire photo collection for the General State Archives; a selection of family photos and some magnificent volumes remained the property of the House of Baden. He also owns an essential part of the photo collection of the last Grand Duke, Frederick II, who fortunately was not kept in the Freiburg Palais after 1919. Content: The medium of photography was highly valued and consciously used at the Baden court as a modern form of princely representation. The distribution of portrait series to the public can be reconstructed and the long reign of Frederick I enabled the presence of the "father of the country" or the "parents of the country", as can be found among the Hohenzollern, the Wittelsbachers or the Habsburgs. Documents from these photo commissions to the court photographers make up a not insignificant part of the collection. The proportion of gifts and souvenir pictures received after anniversaries, celebrations, manoeuvres, exhibitions, inaugurations, etc. is greater; the handing over of portraits of foreign visitors also belonged to this group, especially in the context of the summer stays in Baden-Baden. One of the most important gifts are probably the works with which photographers wanted to attract attention, acquire the title of court photographer or receive further commissions; in this way, works from the early days of photography came into the Grand Duke's possession: signed prints by Charles Clifford, the Upper Italian and Southwest German series by Jakob August Lorent in 60x80 format already admired at the time of their creation (Lorent also left to the Grand Duke a detailed description of his recording and development process) or, to name regionally effective photographers, photographs by Richard/Heidelberg, Tillman-Matter/Mannheim, Th. shoe man
Tradition: The Großherzogliche Badische Baugewerkeschule was founded in 1878. Since 1919 it was called "Badisches Staatstechnikum" or "Badische Höhere Technische Lehranstalt (Staatstechnikum)" (1923), since 1946 "Staatstechnikum Karlsruhe", since 1963 "Staatliche Ingenieurschule Karlsruhe", since 1971 "Fachhochschule Karlsruhe - Hochschule für Technik"; in 2005 it was renamed "Hochschule Karlsruhe - Technik und Wirtschaft". In contrast to the architecture department of the Polytechnic University, the drawing examination papers of the students of construction trades were kept at the school. As far as the documents were not collected by the school administration - especially in the period after about 1970 - an extensive, largely coherent set of plans has been preserved. It was handed over to the General State Archives in 1999 together with a transfer list in Access format, and more recent work was added in 2004. In the archive, the entire holdings were signed, packaged and re-registered by the ladies Mohd, Hummel and Vogt, the list of consignments was edited and converted into 'scopeArchiv' in 2012. The variety of query options (by building type, drawing technique, etc.) was retained in 'scopeArchiv' in a field visible only to the archive staff and in the source file (Access).a few privately owned student works that came to the General State Archive with the Thomas Kellner Collection in 2006 were incorporated; the drawing portfolio of Franz Kühn for the years 1934 to 1937 is now available as a sample portfolio for all subjects at the end of the student works.Further student works, which were delivered together with files of the building department also in 2004 - among them e.g. building photographs of Black Forest farms of the excursion of 1937 -, are recorded in inventory GLA 592 Access 2004-69. Some building photographs of monuments from this convoy were probably inadvertently taken over into the general plan inventory GLA 424 K. Plans (blueprints) of the Karlsruhe City Planning Office for the redesign of the Market Square from 1974 were submitted to the City Archive. Content: The approximately 100-year-old tradition conveys the teaching methods of drawing and the architectural expectations of the time between historicism and modernism and is thus an outstanding source for the transformation of technology, architectural aesthetics and reception behaviour over the social ruptures of the 20th century. Probably the most valuable part, almost half of the total stock, is taken up by the plans from the subjects of construction survey and design; the names of the subjects changed in the process. The annual publications of the Baugewerkeschule, such as the "design of bourgeois residential buildings" by the construction students or the recording of "patriotic monuments" in the whole of Baden by the prospective trade teachers, show that the focus here was on the core of teaching at least until 1914; part of the semester and holiday work was thus published promptly in large-format volumes (cf. the incomplete series in the library of the General State Archives, Cw 8102ff, 1885-1914 and individual proof pages, together with pages from architecture and engineering textbooks, as an appendix in fonds 592 K). In the 1920s, industrial and functional buildings came to the fore. During National Socialism, the main focus of interest was on the design of housing estates, and in the cataloguing of architectural monuments almost exclusively farmhouses in the Black Forest and in Baden's Franconia region; these architectural photographs are of particular value as historical architectural sources (a photo in No. 1581 shows members of one of the 1937 field trips to take a picture of a farm). But also the registration of e.g. Karlsruhe city centre buildings, which were destroyed during and after the Second World War, or the systematic mapping of Überlingen town houses in 1935 are important and so far almost unknown architectural inventory achievements. In the post-war period, photographs of buildings appeared almost exclusively as part of general drawing lessons; interior designs were added in the 1960s. All in all, the student works provide a good insight into the "tempo" of style change and architectural convention, precisely because of their dependence on current teaching and building practice. Photographs of architectural monuments on Lake Constance by the Constance photographer German Wolf from the years around 1900 form a separate group. They are testimonies to early monuments inventory, in the context of the building photographs perhaps as a model or as material for teaching. In contrast, photographs of plans whose originals were missing - mostly montages on large cardboard boxes from the 1960/1970s - remained in the main inventory. Drawing templates and other foreign materials were summarised, plans such as photos, which had gotten between the pupils' work as teaching aids; they can now be found at the end of the collection, as far as they could not be collected as duplicates. Access database: The database of the University of Applied Sciences will continue to be maintained as it allows further access to the stock due to its sorting possibilities, but does not have the same text status as the available finding aids data. Special mention should be made of the sorting according to "object groups":Sacral buildings (1)Public buildings (2)Residential buildings (3)Agricultural buildings (4)Others (5).The encryption "Type of execution" can also be used for exhibition preparations: Technical - black-and-white1Technical - colored2Artistic - black-and-white3Artistic - colored4. For the archive personnel, text parts can be queried in the data field "internal archive remarks", so that a selection according to these criteria is also possible in 'scopArchive'. Examples are "Item group: 1 (sacral buildings)" and "Type of construction: 1 (technical, black and white)". Literature: Wolfram Förster, 125 years Karlsruhe University of Applied Sciences, University of Technology, 1878-2003, Volume 1, Historical Development (Ingenium 4), Karlsruhe 2003