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1. the history of the collection: The term "wall attacks" for the posters kept in this inventory is contemporary. It refers to the simple mounting: not like advertising posters on splendid advertising pillars, but on simple wall walls they were fastened visibly for everyone. The war situation requires simple use. Wall attacks were often used in the occupied territories. But even in the home country there was little room for such posters. The poor equipment of these posters is a consequence of this situation. The war situation allowed only simple, often newspaper-thin paper. As a rule, there was no graphic design, but the text poster predominates, on which at most the title (often the word "Bekanntmachung") is highlighted in large letters. Sometimes the paper is dyed with a signal colour, which can perhaps be interpreted as a preliminary stage of a graphic design. A more elaborate design for political posters only emerged during the First World War (Ursula Zeller. The Early Period of the Political Image Poster in Germany (1848-1918), Stuttgart 1987, especially Chapter 7). The advertising posters contained in this collection for the subscription of war loans offer charming examples of this. Such graphically designed and aesthetically "beautiful" posters, however, only make up a vanishing part of the collection of wall attacks. After all, it contains pieces by artists such as Hanns Anker, Lucian Bernhard, Alexander U. Cay, Fritz Erler, Louis Oppenheim and Egon Tschirch. However, most of the pieces kept in this collection are not such posters, but pure text posters without a graphic or even pictorial design. The collection of wall attacks was established in the army archive, Stuttgart branch, in the 1920s and continued for decades. Little is known about the motifs, the conception of the collection and the practical collecting activity from this period. A general interest in wall attacks can be established early on: some wall attacks were already reprinted in reduced size in brochures during the war (such booklets can be found in the HSTAS collection of publications) and even sold in the front area (cf. J 151 No. 1240). From the available material it can be concluded that the employees of the Army Archives in principle included every piece in their collection that they could get hold of. In comparison to today's collection concepts, a broad collection was intended. It was by no means restricted to German or even southwest German wall attacks. However, the existing collection sources were not always able to meet the high demands: often gaps remained which could only be taken into account with a few pieces or not at all. A lot can be said about the collection sources. It can be assumed that some of the wall stops were taken from files, which can be seen today in the perforations at the edges of the former multiple-folded piece. Other pieces contain official notes on the poster on the back or at the bottom. By the way, the group that carries a stamp "Landsturm Infanterie Bataillon Calw" or Leonberg is comparatively large. The fact that a third (523) of the 1622 Wall attacks of the western front came from the stage commandantur Roubaix can only be explained by the fact that a Württemberg regiment was stationed there, apparently like the two Landsturm infantry battalions mentioned a source for the collection of the army archive. Other stage commandantures for which such a connection was missing are accordingly sporadically considered. Stamps show that pieces were also taken from related institutions (in exchange?): namely from the Königlich Württembergischen Armeemuseum and from the Deutsche Bücherei Leipzig. A larger group of pieces has been extracted from the pamphlet collection of the Army Archives (now part of the Main State Archives J 150) and integrated into the collection of wall attacks. Over a certain period, the two collections held in the Army Archives overlapped. In addition - but to a lesser extent - wall stops were taken from Luck's collection and from estates (Hahn's estate, later also Haußmann's estate) and added to the collection. Some accesses from the Staatsarchiv Ludwigsburg might be relatively young. The collection of wall attacks was added to the collection of the Main State Archives before 1974 from the holdings of the Army Archives. It was given the signature J 151. The background to the abolition of the quite sensible delimitation of the holdings between the collections of the Military Archives and the J holdings of the Main State Archives can no longer be discerned. Even before this relocation, the collection of wall attacks was arranged by the student Markus Braun in the army archive in 1954 and provisionally indexed by a twelve-page find book. The collection continued to receive further additions, especially from estates. The comprehensive conception of the collection failed in practice due to the limitations of the collection sources. Not all areas could be documented equally intensively. The collection covers the period from 1914 to 1948, including the post-war period of the Second World War. In quantitative terms, the focus is clearly on the First World War (2582 wall attacks totalling approx. 2700) and here again on wall attacks from the western front (1622 vs. 599 from the eastern front). These are mainly wall attacks by the (German) occupying power, to a lesser extent also those of Austrian provenance. Only a few wall attacks were made by the opponents (France and Russia) at that time. Another group are the pieces used in Germany (on the "home front") themselves. As provenances (publishers of the Wall attacks) both civilian (Generalgouvernement Belgium, French mayor's offices) and military authorities (army high commandos, stage inspections and commandant's offices) are represented, often combined with each other (at the level of stage commandant's offices and mayor's offices). In terms of content, these are often ordinances and communications from the crew to the local population. The wall attacks serve, for example, to announce war economic measures such as setting maximum prices, recording stocks that can be used for military purposes, announcing the punishment of locals or to incite desired behaviour among the population of the occupied area, such as observance of curfews, blackout measures or a ban on meetings. An interesting group are the wall attacks with "information" about the war situation, with which the resistance should be broken or at least discouraged. In the homeland, wall attacks served to call for recruits, to call for donations and to propaganda against the hostile powers, but also to strengthen national self-confidence, to advertise cultural events and to announce war economic measures. 2. processing of the stock: The merit of the work of the student Markus Braun of 1954 lay more in the order of the extensive collection than in its indexing. Braun limited the indexing to a group entry, for which the scheme "Regulations and notices: Etappenkommandantur XY, year, number of pieces" is typical. Wall attacks of the same kind were united to form a group and this group was described as generally as possible in the manner indicated. For reasons of time, it was probably not the intention to go into the contents of the individual pieces, which Braun, however, signed individually. Already the supplements to the finding aid book by later supplements tend in contrast to an individual indexing, thus to a description of each individual piece. Such a thorough indexing is finally standard for the poster collections begun in the 1970s in the Main State Archives (J 153, J 154 and J 154/5), which, unlike the Wall attacks, have no historical relevance. With the exception of minor changes, however, the order of the brown wall stops could essentially be maintained. The structure of his find book is therefore almost identical to that of the present one. Also, the old Braun signature runs in principle parallel with the present Numerus currens (which determines the place of storage). But since Braun started the counting with 1 again with each new larger group, a concordance of the signatures is attached to the find book. The individual development was therefore the aim of the reworking begun in October 1989. At the same time, it served to introduce the aspirants trained in the Main State Archives to the cataloguing of posters as an example for the work on collections. On the occasion of the reworking, better packaging was also provided. The wall stops were repackaged in acid-free DIN A 1 envelopes, also in order to avoid as far as possible the folds (especially cross folds) harmful to the very thin paper. Smaller cracks were also repaired. The new indexing was based on the MIDEPLAK (EDP) mask developed in cooperation with LAD in the summer of 1989 and a data sheet designed for this purpose. This data entry mask, which can be used under the MIDOSA program package, should not only be usable for wall stops, but should also be able to be used for IT data entry for all types of posters (advertising posters and political posters). The description of the wall stops is arranged according to the following scheme in the finding aid book: The order number in the upper left corner is only relevant for the order of the description and references from the index. For storage in the magazine and also for ordering the pieces, only the order number is used, which can be found at the end of the description of the individual unit. The title of the poster is treated as a quotation and is therefore enclosed in quotation marks. If necessary, additions are added for identification. Most of the titles are "regulation", "notice" and the like, and the editor then had to further specify the content in his own words. Several titles on a wall attack are quite conceivable. The title is reproduced in the original language, only in Slavic languages it is translated or transcribed. The runtime usually specifies the print or publication date. In the next line, the reason for the occurrence of the wall stop - as far as known - is given, but this is comparatively seldom the case with the wall stops. This is followed by information about the publisher, graphics, print, persons responsible in terms of press law, etc. The formal information includes the format of the poster and the number of pieces stored. The description of the visual representation takes place in a separate block. Since the stock at hand is mainly made up of text posters, an actual image description is omitted in over 90 percent of cases. In the case of pure text posters, a reference is made here to special features in the design (multiple columns, highlighting, colouring) or to the languages used (in extreme cases up to seven different ones). At the time of the creation of graphically designed political posters, such things can already be seen as elements of a graphic design. Before the final order signature, the provenances (here in the sense of collection sources) and the preliminary signatures must be indicated. Within the same category, the wall stops are usually arranged chronologically. Pieces that cannot be dated or only dated to the year appear at the end. As a rule, the date of a prescription is decisive for dating. In the case of wall attacks with ordinances of different dates, the last date closer to the publication date is decisive for the chronological classification. In the case of local meetings, the order is alphabetical. A folder with various French food ration cards from the Second World War was taken from the collection and incorporated into the relevant collection J 524, which has since been opened. The collection of wall attacks contains around 2,700 copies without counting the duplicates. The reworking of the wall attacks took place from autumn 1989 to summer 1993 under the direction of the undersigned within the framework of the introductory and intermediate practical courses of the candidates of the 26th, 27th, 28th and 30th training courses. The cooperating candidates were: Hartmut Obst, Andrea Rösler, Petra Schad, Jutta Stockhammer and Martina Wagner from 26., Bettina Heiß, Sybille Kraiss, Barbara Löslein, Jörg Martin, Armin Roether, Daniel Stihler, Martin Walter and Regina Witzmann from 27.Andrea Binz, Armin Braun, Daniela Deckwart, Astrid Groh, Katja Hoffmann and Nicole Röck from the 28th and Michael Bing, Dorothea Kiwitt, Michael Konrad, Manuela Nordmeyer, Annelie Jägersküpper and Christian Schlafner from the 30th training course. Neuenstein, September 1996Dr. Peter Schiffer In the spring of 1998, approximately 370 wall attacks from the time of the First World War, which were presumably delivered there in the 1950s, were transferred from the Heilbronn City Archives to the Main State Archives. The largest part of the collection is made up of wall attacks of the Roubaix stage commandant, the smaller part of those of the VI Army Command and stage inspections 2, 4, 5 and 6 and other editors. With the exception of the pieces kept in the Supplement to fonds J 151 under serial number 2717-2734, these are almost exclusively duplicates or other multiple copies of wall attacks that already exist in fonds J 151. In detail, the following status numbers have been increased by this delivery: 5, 16, 770-773, 775, 778, 780, 783, 788, 794, 872, 874, 875, 877, 879, 881, 883, 885, 887-893, 895-897, 909, 911, 913, 978-1306 (without serial numbers 980-984, 987-990, 993-998, 1001, 1003, 1004, 1006, 1009-1012, 1014, 1022, 1025, 1030, 1031, 1033, 1035, 1036, 1040, 1047, 1050, 1051, 1053, 1057, 1058, 1062-1070, 1075, 1076, 1078-1080, 1092, 1110, 1112, 1114, 1120, 1127, 1130, 1131, 1136, 1138, 1141, 1145, 1155, 1164, 1165, 1167, 1171, 1173, 1174, 1178, 1180, 1183, 1190-1193, 1196, 1203, 1207, 1209, 1213, 1216, 1218-1220, 1222, 1236, 1238, 1240, 1244, 1249, 1250, 1255-1258, 1267, 1272, 1300), 1336, 1477, 1479, 1480, 1602, 2312. May 1998 Eberhard Merk In 2002 Eberhard Merk revised and corrected the title listings and the overall index. In the summer of 2003, Wolf-Dieter Dorn's file of the distortion of the wall attacks, which was only available as a Word document, was converted into an Access database from which the online version of the finding aid book could be generated. The duplicated index with detailed index is still based on the Word document. September 2003 Regina Keyler

Minutes of the following sessions:<br />Section for the Fine Arts, Senate and Cooperative (Participants in varying composition: Alexander Amersdorffer, German Bestelmeyer, Wilhelm v. Bode, Peter Breuer, Adolf Brütt, Otto H. Engel, Reinhold Felderhoff, Philipp Franck, Richard Friese, August Gaul, Hans Herrmann, Ernst Herter, Hildebrand, Ludwig Hoffmann, Hermann Hosaeus, Oskar Hossfeld, Ulrich Hübner, Julius Jacob, Louis Jacoby, Gerhard Janensch, Ludwig Justi, Friedrich Kallmorgen, Arthur Kampf, Heinrich Kayser, Conrad Kiesel, Fritz Klimsch, Georg Koch, Karl Koepping, Max Kruse, Hugo Lederer, Max Liebermann, Hans Looschen, Ludwig Manzel, Meyer, Paul Meyerheim, Ernst Pfannschmidt, Bruno Paul, Fritz Schaper, Schmidt, Franz Schmitz, Walter Schott, Rudolf Schulte at Court, Raffael Schuster-Woldan, Franz Schwechten, Heinrich Seeling, Paul Seidel, Max Slevogt, Constantin Starck, Louis Tuaillon, August Vogel, Hugo Vogel, Anton v. Werner):<br />7 Jan. 1914 (Senate): Introduction of Ulrich Hübner into the Senate; changed award conditions for the Grand State Prize, copy of the ministerial decree of Dec. 9, 1914. 1913; confiscation of postcards with illustrations of sculptural works of art; approval of the elections of the Senate for the Landeskunstkommission; allocation of the surplus of the Great Berlin Art Exhibition to the Kunstausstellungsgelderfonds; award of the title of professor to Ulrich Hübner, Max Uth, Adolf Meyer and Hugo Ungewitter (Bl. 1).<br />30 Jan. 1914 (Senate): Bericht über den Aquarellmaler Max Fritz (Bl. 4).<br />18. Febr. 1914 (Senate): Approval of the proposal list for invitations to the next member exhibition, the proposed collective exhibitions and the inclusion of a small collection of works by the late sculptor Ignatius Taschner; draft regulations for academy exhibitions; Advice on the approval of a Martersteig memorial exhibition and an international exhibition by the Association of Artists and Art Friends; application for the title of professor to the painters Mattschaß, Grotemeyer, Maß and Baurat Seeling; scholarships from the Schmidt-Michelsen-Stiftung for Roloff, Hänsch and Korn (Bl. 5).<br />17 Apr. 1914: Review of the applications for the Grand State Prize; decision on the winners of the State Prize competitions: Painter Paul Plontke, sculptor Otto Placzek, (pp. 8, 10).<br />17 Apr. 1914 (Senate): Assessment of the painter Gustav Richter; award of the title of professor to the sculptors Dammann and Breitkopf-Cosel; election of Heinrich Seeling to the advisory board of experts for the protection of the city of Berlin against defacement; scholarship of the Schmidt-Michelsen-Stiftung for the sculptor Willy Kluck; quarterly award of the studios in Rome (pp. 8, 10). 12).<br />19 May 1914 (Senate): Assessment of the painters Alfred Stöcke, Grotemeyer, and Bielefeld (p. 15).<br />30 June 1914: Decision on the winner of the Dr.-Ing.Paul Schultze Prize for Sculptor 1914: Joseph Sommer (p. 18).<br />30 June 1914 (Senate): Decision on Scholarships from the Louisa-E.-Wentzelschen Stiftung: painter Erich Feyerabend, sculptor Friedrich Heuler, graphic artist Friedrich Maron, architect Hellmuth Korth (p. 19).<br />13 July 1914 (Senate): Application for the title of professor to sculptor Joseph Limburg, painter Hans am Ende, painter Otto Modersohn; prize assignment for the Dr.-Ing.Paul Schultze Prize 1915; Amersdorffer's expert opinion on the painter and architect Dreßler (page 22).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund; Great Berlin Art Exhibition 1915 (page 27).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund; Great Berlin Art Exhibition 1915 (page 27).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund. 1914 (Senate): Re-election of the vice-president of the Senate Schwechten; reappointment of the head of a master studio for architecture, vacant due to the death of Otzen; consultation on the proposed Friedrich Ostendorf; expert opinion by Engel on the painter Gotthilf Schnee; significance of the Prussian Art Association; Election of Liebermann as deputy of Looschen at the Permanent Deputation for Advertising at the Elders' College of the Berlin Merchants' Association; re-election of Kampf and Meyerheim to the Board of Trustees of the Adolph Menzel Foundation, of Hildebrandt to the Board of Trustees of the Adolf Ginsberg Foundation, of Liebermann to the Board of Trustees of the Dr.-Hermann Günther Foundation; question of an invitation to the Academy competitions for 1915; announcement of decrees of the Ministry of Culture (p. 29).<br />27 Nov. 1914: decision on the prize winner of the Dr.-Ing.Hugo-Raussendorff Prize in 1914, the painter Kurd Albrecht, and the winner of the v. -Rohr Prize 1914, the architect Pohle (p. 29).<br />Dec. 21, 1914: Remembrance of Giovanni Sgambati; spring exhibition 1915; composition of the exhibition commission for the Great Berlin Art Exhibition; Menzel Monument; acceptance of the Fischer and Wentzel-Heckmann Foundations; Schwechtens is elected to the expert advisory board of the city of Berlin; Dagnan-Bouveret and Saint-Saëns leave the academy (p. 29). 31f.).<br />15th Jan. 1915 (cooperative): Commemoration of Rudolf Weyr and Anton v. Werner; deficit of the Great Berlin Art Exhibition 1914; election lists for the elections of members (p. 50).<br />22nd Jan. 1915 (cooperative): election of Ernst Pfannschmidt and Friedrich Oskar Hossfeld as new members (p. 55).<br />12th Febr. 1915 (Genossenschaft): Composition of the admission and arrangement commission for the Great Berlin Art Exhibition 1915; demand for greater competence for the cooperative in the preparation of academic exhibitions (pp. 56-58).<br />17 Febr. 1915 (Senate): Proposals for the succession of the deceased v. Werner as director of the Hochschule für die bildenden Künste: Kampf, Dettmann, Manzel, Kallmorgen; establishment of a commission for reforms of academic teaching (pp. 35, 61).<br />17 Febr. 1915: laureate of the I. Michael-Beer-Prize: painter Berthold Ehrenwerth; no award of the Prize of the II. Michael-Beerschen Stiftung für Kupferstecher (pp. 36, 59).<br />15. March 1915 (Senate): Resolution to award support from the Schmidt-Michelsen-Stiftung to Korn, Brandes, Petrich und Miehe and from the Stadt-Charlottenburg-Stiftung to König und Dahmen (pp. 36, 59). 39, 64).<br />19 March 1915 (cooperative): Introduction of the new members Hossfeld and Pfannschmidt; election of Engel, Meyerheim, Liebermann, Brütt, Seeling and Hoffmann as senate members; discussion and vote on Hoffmann's motion to elect the members of the committee for exhibitions by the cooperative and rejection of 'co-optation' by the senate; motion against the propaganda of the 'Preußischer Kunstverein' (Bl. 65-67).<br />30 Apr. 1915 (Senate): Acceptance of the legacy of Koepping; refusal of the purchase of the v. -Werner portraits of Koner; extension of the register of the master student P. Joseph (Master School Humperdinck); notification of the appointment of Kampf as director of the Hochschule für die bildenden Künste (bl. 41, 73).<br />30 Apr. 1915: adjournment due to lack of quorum (bl. 72).<br />18. May 1915 (cooperative): commemoration of Oskar Frenzel; election of Friedrich Kallmorgen as chairman, of Hans Meyer as deputy chairman (p. 76).<br />4 June 1915 (Senate): entrusting of the committee for academic exhibitions with the submission of proposals for the purchase of works of art; Dr.-Ing.Paul Schultze Prize 1916; election of Franck to the Commission for the Guidance of Questions on the New Regulation of Academic Teaching (pp. 45, 78).<br />11 June 1915: Division of the Dr.-Ing.Paul Schultze Prize 1915: Herbert Garbe and Willy Kluck (pp. 46, 79).<br />16 June 1915: Splitting of the Sheet Metal Prize for Landscape Painters 1915: Erich Feyerabend and Erich Müller; Helfft Prize 1915 for Adolf Harten (pp. 47f., 80f.).<br />23 June 1915 (Senate): Acceptance of the S. -Fischer-Stiftung; list of suggestions for the purchase of works of art (p. 84).<br />28 Oct. 1915 (Senate): Election of Manzel as deputy chairman of the Senate; resolution of an exhibition of war pictures in the Academy; proposals for the purchase of works of art; appointment of Liebermann to the board of trustees of the Adolph Menzel Foundation and the Dr.-Ing.Hermann-Günther-Stiftung, von Hildebrand on the board of trustees of the Adolf-Ginsberg-Stiftung; travel report of the scholarship holder Adolf Harten (p. 93).<br />Dec. 21, 1915: Schmidt-Michelsen prizewinner: Walter Miehe (p. 96).<br />Dec. 11, 1916 (Senate): Introduction of Hans Herrmann; proposal for reoccupation of the v. Werner's master studios: Slevogt, Hugo Vogel, Dettmann; election of Hübner to the board of trustees of the Adolph Menzel Foundation (p. 98). <br /> Feb. 23, 1916 (Senate): support from the Schmidt-Michelsen Foundation for Korn, Douzette, and Brandis; protest against the plan to tax 'living art' through the war profits tax (p. 102).<br />12 May 1916 (Senate): Application to Georg Schmitt, Bennewitz v. Loefen, Max Schlichting, L. Corinth and Felderhoff for the title of professor; submission of Lederer's draft for the university ballot box (page 105).<br />5. July 1916 (Senate): Confirmation of the election of Schwechten as president, of Gernsheim as deputy, re-election of the senators Kallmorgen, Breuer, Kayser and Rüfer; re-election of Kallmorgen and H. Meyer as chairmen and deputies respectively in the Fine Arts Section and of Gernsheim and Rüfer in the Music Section; application for the title of professor to Rudolf Schäfer and Em. Grosser; amendments to the Maeder Foundation's draft statutes; letters of thanks from the Singakademie and Herter (p. 110).<br />Oct. 2 1916 (Senate): Election of Manzel as deputy chairman of the Senate; takeover of the composition of a cantata by Kahn for the emperor's birthday celebration in 1917, speech by Krebs; Max Bernhardt rejects the leadership of the Lippe-Detmoldschen professor title; re-election of Hübner and Liebermann to the board of trustees of the Adolph Menzel Foundation, of Hildebrand to the board of trustees of the Adolf Ginsberg Foundation and of Liebermann to the board of trustees of the Dr.-Ginsberg Foundation.Hermann Günther Foundation; examination of a medal of Eue (Bl. 113).<br />27 Nov. 1916 (Senate): confirmation of the election of Schumann as deputy president; rejection of a Bruno Schmitz exhibition; Boese's request for further use of a state studio; election of Kampf instead of Anton v. Werner to the board of trustees of the Emil Wentzel Foundation (Bl. 120).<br />8 Jan. 1917 (Senate): Remembrance of Dücker, Scholz and Rudorff; exhibition rooms for the Federal Foreign Office for the collection 'Deutsches Bauwesen im Kriege'; planning of an Alfred-Rethel exhibition and a second exhibition of war paintings; proposal for the award of a prize to teachers of the teaching institute of the Verein der Künstlerinnen zu Berlin: Siegert, Seeck and Schottmüller; dedication of Richard Müller's war drawings to the Emperor; re-election of Liebermann and Looschen to the Municipal Deputation for Advertising; election of Schwechten to the Advisory Board of Experts of the City of Berlin; acceptance of the Roeder Foundation; amendments to the statutes of the Wentzel-Heckmann Foundation; rejection of the extension of the matricel of the master student Salingré (Bl. 121).<br />Section for Music, Senate and Co-operative (participants in varying composition: Heinrich Barth, Friedrich Gernsheim, Engelbert Humperdinck, Hugo Kaun, Friedrich E. Koch, Carl Krebs, Hermann Kretzschmar, Philipp Rüfer, Philipp Scharwenka, Xaver Scharwenka, Felix Schmidt, Georg Schumann, Max Seiffert, Ernst Eduard Taubert):<br />17 Jan. 1914 (Senate): Application for the title of professor to Schattschneider and Franz Nekes, for the title of music director to Max Kaden, Krantz, Traugott Heinrich, Fritz Panzer and Schneider; Schumann's delegation to the police headquarters for consultations on regulations for the business operations of concert agents; amendments to the statutes of the cooperative of German composers; assessment of the new 'Euphonion' sound system by August Ludwig, composition by Wilhelm Grimm, ballad by Robert Linarz (Bl. 2).<br />21 Febr. 1914 (Senate): Minister's Notices: Instruction to John to shorten his composition, award of the title of Music Director to Kühn, Krelle, Traugott Heinrich, Adolf Göttmann und Ernst Potthof, of the title of Professor to Leo Zellner; Application for the title of Professor to Moritz Bauer, Heidingsfeld, Binder und Max Krause; Complaint to the Ministry about Breitkopf

Contains: above all: Letters accompanying, notifying and responding to submissions, including Rheinbott, E. v. (Ponewiesch): Translations of Russian songs (1907, 1908); Schmidt, K. (Gleiwitz): Memorandum on parts of the Corpus Inscriptionum Etruscarum and Etruscan inscriptions (1907); Mac Donald, A. (Washington): A Plan for the Study of Man (1910); Thöne, J. (Wipperfürth): Article about efforts for a world language(1912) - inquiries, information and messages to the academy, among others: Jelinek, L. (Zdolbunow): Words to the participants of the third International Congress of the Friends of Philosophy in Heidelberg (1908); Institut d'Estudis Catalans (Barcelona): Announcement of a scholar to study the Fonctionnement de la ville (1909); Königliches Materialprüfungsamt (Berlin): Communication on a cellite process for the preservation of manuscripts (1909); Wirsen (Stockholm): Remembrance of proposals for the Nobel Prize for Literature (1910); Inquiry by the Royal Materials Testing Office about experimental results with the cellite process (1911); Exchange of letters on the inquiry by the B. Koenigsberger after the whereabouts of his work on the Jerusalem Talmud (1911); correspondence on the inquiry of H. Hübner (secretary of the Bibliotheca Hertziana Rome) about interest in the continuation of the work of Aldrovandi (1912); Dieterich, K. (Leipzig): Report about the behaviour of H. Jantsch on a trip to the Athos monasteries to photograph manuscripts (1912) - Accompanying letter and information about applications to the academy for financial support, including..: Geisenhof, G. (Lübeck): Publication of the Bugenhagen Editions (1906); Mayer, L. (Munich): Journey into the South Seas for research for a comparative dictionary of Polynesian main dialects (1907); Gall, A. v. (Mainz): Edition of the Hebrew Pentateuch of the Samaritans (1907); Teutonia-Verlag (Leipzig): Collection of texts by the Sette Comuni Vicentini (1907); Ruzicka (Berlin): The consonant dissimilation in Semitic languages (1907); Hallensleben, M. (Sondershausen): Publication of the contributions to the Schwarzenburg local history of T. Irmisch (1907); Patzak, B. (Klausen): villa life and construction of Italians in the 15th and 16th centuries (1908); Preuss, G. F. (Breslau): publication of the self-biography of Autoinede Lumbres (1908); Schillmann, F. (Marburg): photography of the main manuscript of the papal formula book of Marinus de Ebulo (1910); Kluge, T. (Kluge): "The life and construction of villas of the Italians in the 15th and 16th centuries" (1908); Preuss, G. F. (Breslau): publication of the self-biography of Autoinede Lumbres (1908); Schillmann, F. (Marburg): photography of the main manuscript of the papal formula book of Marinus de Ebulo (1910). (Berlin): Photography of ancient Georgian literary monuments on a trip to the Caucasus (1910); Glahn, L. (Ichendorf): Publication of the work Das doppelte Gesetz im Menschen auf der Basis der Kantischen Freiheitslehre (1910); Ruge, A. (The Double Law in Man on the Basis of the Kantian Doctrine of Liberty). (Heidelberg): International Bibliography of Philosophy (1911); Löwenthal, E. (Berlin): Publication of the results of research on naturalistic transcendentalism (1911); Stückelberg, E. A. (Basel): Die Heiligen der Lombardei, including: treatise San Lucio, the patron saint of alpine dairies (1911); Braungart, R. (Munich): Die Südgermanen (1912); Anspach, A. E. (Duisburg): Reise zur Kollationierung von Handschriften für eine Edition der Etymologien Isidors (1912).- Correspondence on applications to the academy for financial support, including..: Norddeutsche Missionsgesellschaft: Wörterbuch Ewe-Deutsch (1906); Sikora, A. (Mühlau): Forschungen zur Theater- und Kunstgeschichte (1906); Schliebitz, J. (Wittenberg): Publication of the Syrian-German edition of Išodâdh's Hiob-Kommentars (1906); Karst, T. (Strasbourg): Lexikon des Mittelarmenischen (1908); Korn (Berlin): Production of a work with reproductions of his collection of portraits of German lawyers (1908); Reichelt, H. (Gießen): New edition of Pahlavi-Vendidad (1908); Moeller, E. v. (Berlin): Biography of Hermann von Cornrings (1909); Staerk, D. A. (St. Petersburg): Monuments of the Latin Palaeography of St. Petersburg (1909); Fritz-Eckardt-Verlag (Leipzig): Complete Edition of Hegel's Works (1910); Walleser, M. (Kehl a. Rh.): Madhyamaka-Karika von Nagarjuna (1910); Reimer-Verlagsbuchhandlung (Berlin): Publication of the Formae orbis antiqui by H. Kiepert (1911); Molin, J. (Vienna): Treatise on the religious significance of Goethe and Schiller (1911); Neumann, A. (Berlin): Journey to England for research on the English interior colonization (1911); Fischel, O. (Berlin): Publication of a corpus of Raphael's drawings (1911); Horten, M. (Bonn): Publication of works on the philosophy of the Arabs (1912); Paul, E. (Bad Aussee): Work on Germanity in the Zimbernlande (1912); Verein für Reformationsgeschichte: Publication of a treatise on the origin of the Worms edict by Kalkoff (Breslau) (1912): Hesse (Brandenburg): examination of treatises on stenography (1907); Wulff, L. (Parchim): examination of the treatise Dekalog und Vaterunser (1908); Paul, H. (Wiesbaden): examination of the work Chronologische Zusammenstellung der Fabel poets verschiedener Zeiten und Sprachen (1908); Frank, F. (1908): examination of the work Chronologische Zusammenstellung der Fabeldichter verschiedener Zeiten und Sprachen (1908). (Hof): Examination of the work Die Mogastisburg, a linguistic contribution to history (1909); Tucher, M. v. (La Valette): Examination of the work Quelques particularités du dialecte arabe de Malte by B. Roudanovsky (1909); Strack, H. L. (1909). (Berlin): Subscription to the facsimile edition of the Monacensis des Talmud (1911); U. v. Wilamowitz-Moellendorff: Mediation of a photo permit for manuscripts from the monasteries Esphigmenu and Patmos (1911) - Expert opinion on applications to the Academy for financial support, including: Bergner, H. (Nischwitz): Studies on the systematic representation of German art antiquities (1908); Gesellschaft zur Beförderung der evangelischen Mission unter den Heiden (Berlin): Publication of the dictionary of Sotho by D. Endemann (Berlin) (1907); Beck, J. B. (Paris): Die Melodien der Troubadours (1909); Vandenhoff, B. (Münster): Publication of the work System des geistlichen und weltlichen Rechtes der Nestorianer (1910); Curschmann, F. (1909). (Greifswald): Plan for a historical atlas of the eastern provinces of the Prussian state and inclusion in the Academy's publications, including: Historische Vierteljahresschrift (1910); Flügel, O. (Döhlau): Gesamtausgabe der Werke Herbarts (1912) - Expert opinion on the request of v. Nordenflycht (Havanna) for examination of an alleged record of Charles V. in a Bible by C. F. Finlay (Havana) (1907) - expert opinion for the Ministry of Culture on Glaser's estate of South Arabian inscriptions and geographical materials (1908) - Mayer, L. (Munich): Information about a trip to the South Seas for research for a Samoan-German dictionary and request for formal commission by the Academy (1907) - Reprint of the letters of H. V. Hilprecht (Philadelphia) to the University of Philadelphia to resign his offices and to disregard his rights (1910).

Table of contents (pages 2-7). Conversion of the Hygiene exhibition building for the 1886 art exhibition by Fritz Wolff; planning and redesign of the building, land issues, cost estimates, invoices, inclusion of the chapel erected by Johannes Otzen, etc. 1884-1887, transfer of the chapel to the Academy by Otzen, 23 March 1887 (pp. 16, 24-29, 35, 47f., 52, 56, 59, 63, 81-84, 87, 104, 107, 110f., 113-117, 121-123, 142, 148-152, 158-160, 173-177). Consultation of the building inspector Wolff with the exhibition and building commission of the senate (Becker, Gude, Encke, Gentz, Schaper, Ende, Raschdorff, Heyden, Kayser, v. Groszheim) 1884-1886 (pp. 8-11, 26, 33f., 36). Information on the size of the building, with hanging area, 1884 (sheet 12f.). Test works because of skylight 1885 (sheets 14, 31). Use of the building for the academy exhibitions after 1886 (pp. 135, 139). Organisation of an international art exhibition in 1891 (pp. 319-322, 329).<br />maintenance of the building, accommodation of post and telecommunication stations, catalogue and lottery sales points, restaurants, etc. 1884, 1886-1888, contracts between the Royal Ministerial, Military and Building Commission and the restaurant owner Mathias Bauer, May 15, 1884, and the brewery owner Anton Dreher, March 6, 1886 (pp. 20-23, 39-46, 53-55, 57, 62, 64f..), 71-79, 85, 124, 135, 142, 144, 146f., 166f., 169f., 186, 188f., 194-197, 207, 211-215, 221-213, 226, 228, 237-246, 251-254, 257-259, 262, 265, 285, 287, 293-300, 317). Fees for fire brigade, water, opening ceremonies etc. for the art exhibitions 1886-1888 (sheets 68-70, 86, 88-90, 106, 118, 124-133, 136, 140, 196-200, 209f., 216-220, 223, 227, 281, 283). Report on a meeting of the Art Exhibition Commission (participants: Carl Becker, Hans Gude, Adolf Heyden, F. Possart, K. Eschke, Karl Friedrich Zöllner), Dec. 9, 1889: Structure of the interiors of the two long halls of the exhibition building (page 325).<br />Use of the Stadtbahnbögen for storage and exhibition preparation, as studios of the sculptors Ludwig Klinck, H. Walger, A. Mantke, Wischen and F. Lange, for storage of the plaster models of the Royal Museums and the equestrian statue of Washington of Siemering, for the photographer Ottomar Anschütz 1886-1890, with inventory list of the rooms 1886 (pp. 37f., 49-51, 60f., 153-157, 161f., 165, 171f., 178, 248, 279f., 282, 286, 289-291, 337, 374, 377f., 380f.).<br />Loan of the rooms or premises for the following exhibitions and works or to the following institutions and persons: Panorama and diorama of Pergamon and Olympia as well as of parts of West Africa and New Guinea by the architects Kyllmann and Heyden, 1884-1892 (pp. 16-18, 25, 124f., 128f., 138, 163, 318, 383), apprenticeship work of the trades 1887/88 (pp. 66f., 105, 108f., 112, 119f..), 145, 229-232, 241f.), Künstlerhalle des Vereins Berliner Künstler 1886 (pp. 80), Germania figure of the sculptor Siemering for the Leipzig Victory Monument 1886 (pp. 137), model of a fountain by Reinhold Begas 1887, 1888 (pp. 164, 187), garden party of the Berliner Verein für häusliche Gesundheitspflege 1887 (pp. 164, 187). 179), the lottery objects (with list) for the 'German Militair-Musiker-Unterstützungsfonds' 1887 (pp. 180-185), Reiterfest für die Berliner Stadtmission 1887 (pp. 190-193, 204), apparatuses for industrial accident prevention 1889 (pp. 201-203, 205f., 260f., 263, 266-280, 282, 284, 288, 290-292, 301-306, 315, 326-328, 330, 332-335, 345-350, 354f., 367-370), Association for the Promotion of Horticulture 1890 (pp. 224f., pp. 224f., pp. 266-280, 282, 284, 288, 290-292, 301-306, 326-328, 330, 332-335, 345-350, 354f., 367-370), 233f., 236, 323-325, 331, 350, 362-365, 371-373, 375f., 384-394), plans and models for inland navigation 1888 (pp. 249f., 255f.), products of the German wool industry 1891/92 (pp. 307-309), photographs by the photographischer Verein zu Berlin 1891 (pp. 310-314, 331, 352f., 359), award-winning designs of a Kaiser Wilhelm National Monument by Hildebrand, Hilgers, Schaper and Dr. Schilling 1889/90 (pp. 316, 366), for the X. century (pp. 316, 366), for the German National Museum in Berlin (pp. 366), for the German National Museum in Berlin (pp. 307-309). International Medical Congress 1890 (pp. 336, 338-344, 356-358, 360, 368, 379, 382).<br />Enth. et al: Site plan of the site at Lehrter Bahnhof with ground plan of the exhibition building, with scale, approx. 69 x 105 cm, print, 1886 (page 1). Ground plan of the annex to the main building of the Hygiene Exhibition, 1886, watercoloured pen drawing, with scale, approx. 66 x 48 cm (p. 168). Conditions for Participation in a City Telephone System', print, Jan. 1886 (pp. 54f.). Norddeutsche Brauer-Zeitung, 11th year, no. 30, May 1886, with article about the unjustified beer prices in the exhibition park (pp. 92-103). List of raffle items for the German Militair-Musiker-Unterstützungsfonds 1887, print (pp. 182-185). Application form and 'Conditions of the international medical-scientific exhibition in Berlin' of the X. International Medical Congress 1890, prints (pp. 357f.).<br />Protocols of the sessions of the Senate, Section for the Fine Arts (participants: Carl Becker, Julius Schrader, Albert Wolff, Hans Gude, Ernst Ewald, Eduard Dobbert, Karl Friedrich Zöllner, Meyer, Jordan, Adolph Menzel, Ludwig Knaus, Wilhelm Gentz, Rudolf Siemering, Adolf Heyden, Friedrich Geselschap, Otto Knille, Erdmann Encke, Johannes Otzen, Julius Raschdorff, Wilhelm Amberg, Otto Polenz, Alexander Calandrelli, Franz Schwechten):<br />10. Oct. 1888: Implementation of the academy exhibition 1889 despite 'Deutscher Allgemeiner Ausstellung für Unfallverhütung' (excerpt; pp. 267).<br />13 Oct. 1888: academy exhibition and exhibition for accident prevention 1889, necessity of an own art exhibition building (excerpt; pp. 268f.).