Showing 17 results

Contains: Street scenes in China, including those shot dead, injured on stretchers, prisoners, beggars, colonial officials, road construction.

6691/1:<br />August Schreiber (1839 Bielefeld - 1903 Barmen): Diaries and workbook:<br />- Diary, Sumatra, July 1867 - Dec. 1872<br />- Diary Jan. 1873 - Febr. 1903 (Jan. 1903) 1873 - April 1874 daily entries, thereafter only list of the places), thereby: statement of assets, 1898 and insurance policy, 1877<br />- diary, South Africa, Jan. - Aug. 1894<br />- work book, 1874 - 1903 (the one on the hs. List of mentioned diary 'England and Scotland 1864/1865' missing)<br />6691/2:<br />August Schreiber: Autobiographische Schriften<br />- 'Erinnerungen an Sumatra', 1866 - 1872, Handschrift<br />- 'Kollekten-Blätter für die Rheinische Mission', 1883 (the contributions probably originate mainly from A. Schreiber)<br />- 'Third Visit to Sumatra', brochure, Barmen, 1891<br />- 'Five Months in Security', book, Barmen, 1894<br />- 'A Mission Journey to the Far East', book, 1898 - 1999, Bertelsmann 1899 (?)<br />6691/3:<br />August Schreiber: Aufsätze und Veröffentlichungen:<br />- ' Die inneren Schwierigkeiten des Missionarufes', Lecture, Halle, 1901<br />- 'Die Menschenrechte der Eingeborenen in den Kolonien', Bremen, 1901<br />- 'Cultur und Mission in ihrer Einfluss auf die Naturvölker', Barmen, 1882<br />- 'Missionspredigt und angesprochen ....', Weilburg, 1881<br />- 'On the Characteristics of the Mission Areas of the Rhenish Mission', Barmen, 1883<br />- 'The work of the Rhenis Miss. Society amongst the Battas of Sumatra', Barmen, 1893<br />- 'The Evangelical Mission, a Proof of the Truth of Christianity', Erfurt, 1894<br />- 'Mission and Colonization', Kiel, 1885<br />- 'The Battas on Sumatra', Barmen, 1876<br />- 'The Battas in their relation to the Malays of Sumatra', Barmen, 1874<br />- 'Short outline of a Batta' theory of forms ....', Barmen, 1866<br />- 'The Gospel According to S. Matthew' (in Batta script), 1878<br />6691/4:<br />- [o.A. Author]: 'Aus der Lebensarbeit des ...', Barmen, 1906, 3 Ex.., Text identical in: 'Christlicher Volks-Kalender 1905'; Subject: Biography August Schreiber:<br />6691/5:<br />- August Schreiber: Letters to the Family, 1840s - 1903, Konvolut<br />6691/6:<br />- August Schreiber: Letters to his later wife Anna, née Möller (Bridal Letters), 1862 - 1867, Convoluted <br />6691/7:<br />- August Schreiber: Manuscripts of sermons and devotions <br />6691/8:<br />- August Schreiber: Convoluted excerpts from his letters and sermons (presumably written by his son August Wilhelm), Manuscript <br />6691/9:<br />- Letters, v.a. to Anna Schreiber, née Möller, 1860s and later (the inscription 'An Frau Pastor Frieda Zahn', Anna Schreiber's daughter, is not applicable), Karton<br />6691/10:<br />- Letters of condolence, obituaries, etc. zum Todde August Schreibers, 1903, Konvolut<br />6691/11:<br />- Franz Zahn: Letters and Reports of the Pastor and Missionary, China, 1899 - 1908, Konvolut<br />6691/12:<br />- Franz Zahn: Sermons, China, 1915 - 1916, 1924 - 1925, 1931 - 1940, China<br />6691/13:<br />- Franz Zahn or August Wilhelm Schreiber: Manuscripts, essays from China, presumably for 'Ostasiatischen Lloyd', approx. 1920, typewriter<br />6691/14:<br />- Anna Zahn: Diary, China, 1901<br />- 'Der kleine Missionsfreund', booklet, in it: Anna Zahn: 'Aus dem Leben einer chinesischen Frau'<br />6691/15:<br />- 'China's Millions', 'Missionsblatt Barmen', 'Der Ostasisiatische Lloyd', Various copies of magazines, 1901 - 1909<br />6691/16:<br />- W. Dietrich: 'Rückblick auf die fünfjährige Arbeit der Rheinischen Missions in China', 1897, manuscript, handwriting<br />6691/17:<br />- Materials for the estate: e.g. circular letter of the Barmer Mission from 1931<br />contains also:<br />- Photo of members of the mission house Barmen, 1902, on it also members of the family Schreiber, oversize, last box

Images marked with Margot Lubinski's copyright stamp and notes

Photographs probably taken by René Graetz in 1934 on his journey through Southwest and East Africa; black and white prints also exist for some of them, see no. 159 and 160

Probably photographs taken by René Graetz in 1934 on his journey through Southwest and East Africa; of some there are also glass plate negatives, see no. 186.

Table of Contents/Rubrum (pages 1-3). Invitations to participate in exhibitions, programs (prints). Prize Exhibition of Objects of Science...' in Zaragoza, 1868 (page 4). International Art Exhibitions in Munich 1869 (pp. 5-15), 1879 (pp. 101-113, 119f., 139), 1883 (pp. 250-258, 264-266, 306f.), Statute (pp. 177f., 251f.). International Art and Trade Exhibition in London 1871 (pp. 16-21), Regulativ für diese Ausstellung (pp. 19f.), exhibition in the Crystal Palace 1884 (pp. 328-330, 338).<br />Great three-year art exhibition in Gent 1871 (pp. 22, 32-36, 61f.), 1877 (pp. 78), 1880 (pp. 136f.). Art and Industry Exhibition in Trieste, Sept. to Oct. 1871 (pp. 24f.).<br />World Exhibition in Philadelphia 1876 (pp. 37-49, 65-75).<br />Art Exhibition in Brussels 1875 (pp. 50-54), 1878 (pp. 89-93).<br />Vienna Historical Art Exhibition 1876 (pp. 55, 58). General Art Exhibition in Madrid 1875 (pp. 56f.), 1877 (pp. 79-83, 150), 1881 (pp. 149, 151, 174f.), 201-205).<br />Art and crafts exhibition in Munich 1876 (pp. 58-60).<br />General Swiss Art Exhibition 1877 (pp. 63), 1878 (pp. 86), 1880 (pp. 131), 1881 (pp. 153).<br />Art exhibitions of the Königlich Sächsischen Akademie der bildenden Künste zu Dresden, 1877 (pp. 76), 1878 (pp. 94-97, letter by Julius Hübner pp. 94, catalogue pp. 96), 1879 (pp. 117f., 121), 1882 (pp. 233f.).<br />Art exhibition of the Kölnischer Kunstverein 1877 (pp. 84).<br />Permanent exhibition of the Zürcherische Künstlergesellschaft 1878/1879 (pp. 87). Exhibitions of the National Association of Fine Arts in Hungary 1878 (pp. 98f.). Art exhibition in Riga, 1879 (pp. 114-116). General exhibition of art, science and industry products for young people 1879 (page 123). Exhibition at the Milan Art Academy 1879 (pp. 125-130). International exhibition in Melbourne 1880 (pp. 132f.). Exhibition Siebenbürger Volkstrachten 1880 (pp. 134f.). IV. General German Art Exhibition 1880 (pp. 140, 155). Exhibition of paintings in Florence 1880 (pp. 143-147).<br />Commercial and Industrial Exhibition in Hall 1881 (pp. 154, 158).<br />Permanent Art Exhibition in Leipzig (pp. 157). General Construction Exhibition in Braunschweig 1881 (pp. 162-166).<br />Exhibitions of the Leipziger Kunstverein 1881 (pp. 167).<br />Art Exhibition in Lille (pp. 169f.).<br />International Art Exhibition in Vienna 1882 (pp. 171, 176, 174, 176-220, 225-228, 231, 40 and more).<br />International Art Exhibition in Vienna 1882 (pp. 171, 176, 174, 176-220, 225-228, 231, 40 and more)a. Efforts of the Main Board of the German Art Cooperative to Grant State Subsidies for a Representative Participation of German Artists, pp. 174, 181, 194-200, 231f.; Meetings of the Commission for the Vienna Art Exhibition, 5 Nov. 1881, pp. 207f., 22 Dec 1881 sheet 206). Report by Adolf Heyden on the trip to Vienna for the planned participation in the exhibition (pp. 210-215.). Ground plan and cross-section of the Künstlerhaus in Vienna, print (p. 216). Plan of the exhibition hall for the German Reich, ink [by Hand Heydens] (p. 217). Allgemeine Deutsche Patent- und Mustererschutz-Ausstellung in Frankfurt a.M. 1881 (pp. 172).<br />Exhibitions of the Ostdeutscher Kunstverein 1882 (pp. 221-223), 1886 (pp. 347). International Art Exhibition in Rome 1882/1883 (pp. 229, 244). Exhibitions of the Kunstverein für die Rheinlande und Westfalen 1882 (pp. 236), 1883 (pp. 299), 1884 (pp. 337). Exhibition of student works of the Königliche Kunstgewerbeschule Dresden (Bl. 237). Exhibition of paintings of old masters by J. H. Hassk in Hamburg, Apr. 1882 (Bl. 238f.). Art exhibition in Antwerp 1882 (pp. 241f.), 1885 (pp. 344-346). International Colonial and Export Exhibition, Art Department, Amsterdam 1883 (pp. 245-248, 309-313, 331-336). Electrical engineering exhibition in Munich (pp. 249, 267, 308, 314-316, 340-343 and others). Report on the use of the electrical s for art and teaching purposes, pp. 269-291. Exhibition of the Art Association for Bohemia in Prague 1883 (pp. 260-262), 1884 (pp. 325-327). Exhibition of the Association of German Drawing Teachers of student drawing works and teaching aids for drawing lessons 1884 (pp. 292-298).<br />International Special Exhibition of Graphic Arts in Vienna 1883 (pp. 300-305, Statute pp. 304). Grand Foreign Exhibition Boston 1883 (pp. 317-320). Eduard Almond Exhibition of the art dealer Amsler

With drawings and poems <br />With transcript <br />With transcript <br /> With transcripts: Woman, bourgeois childhood 1875, Hamburg, First World War, end of war, November 1918 and others, German colonies 1898, design of a monument for Togo, painter biography Hösel<br />Meißen, porcelain, exposure of a forger (p. 9 and 10)<br />Discovery of valuable manufactories (p. 9f., p. 11)<br />>Also includes:<br />- Letter from Valentin Spiegelberg to Walter Kempowski, July 4, 1980, 1 sheet, Masch.<br />- Letter from Walter Kempowski to Valentin Spiegelberg, Dec. 5, 1980, 1 sheet, Masch.

Concerning among other things: Deutsche Kolonie, Kolonialverwaltung, Alltagsleben, Postwesen<br />Also includes:<br />- Hermann Otto Gustav Schmidt: Report on the ascent of Mount Cameroon Easter 1896, 20 sheets, Hs./Kop.<br />- Letters from Rosemarie Schmidt to Walter Kempowski, 23 March 1988 - 22 Nov. 1989 , 6 St., Hs.

6190/1: Germany - East Africa 1902 - 1903<br />6190: First World War, Western Front 1914 - 1916

Table of Contents/Rubrum (pages 3-9). Correspondence with the main board of the Allgemeine Deutsche Kunstgenossenschaft Düsseldorf, A. Achenbach, H. Deiters, (pp. 19-22, 27-30, 240), inter alia on the appointment of the jury for the art exhibition: as representative of the Düsseldorfer Kunstakademie: Gregor v. Bochmann, Eugène Dücker, Ferdinand Fagerlin, Christian Kröner, Benjamin Vautier, Heinrich Lauenstein, Max Volkhart (pp. 240).<br />Format with the Munich Artists' Cooperative, E. Stieler (pp. 264f.). Participation of the Weimar artists, list of artists (pp. 273f.). Correspondence about the participation of foreign artists in the exhibition (pp. 181, 190-193), Scandinavian artists (pp. 263, 282-286), Italian artists (pp. 268f., 282f.), English artists (pp. 287, 309, 321, 347), Russian artists (pp. 346), Dutch artists (pp. 275-277, 295, 367), Belgian artists (pp. 361, 385f..), Belgian artists (pp. 385f.), and the participation of foreign artists in the exhibition (pp. 181, 190-193), Jean Portaels), Austrian artist (pp. 362f.); no participation of Japanese artists (pp. 258).<br />Managing director of the art exhibition by Fritz Gurlitt (pp. 23-25, 114-121, 128f., 133, 140, 154). Conversion of the hygiene exhibition building for the anniversary art exhibition 1886 (pp. 33-38). Financing of the exhibition both by budget funds of the Ministry of Culture and by additional funds from the Magistrate (pp. 39-48, 75, 77, 82-89, 93, 99f., 153, 157, 185-187, 194, 243, 260, 279, 344f., 371, 395, 401).<br />Appointment of the members of the Ministry of Culture to the Commission for the Jubilee Art Exhibition: Greiff, Spieker, Jordan (pp. 49). Honorary Presidium and Honorary Committee for the Exhibition: Suggestions, Appointments (pp. 80, 101-103, 105, 130-132, 143, 171-178, 195, 202f., 207f.), List of Members of the Honorary Committee (pp. 144f..), and the list of members of the Honorary Committee (pp. 144f.), 204-206, 236, 292).<br />Suggestions for the design of the exhibition: Gustav Eilers (pp. 63f.), Kyllmann and Heyden, including an introduction to ancient Pergamon and Olympia as well as a diorama of the German colonies in West Africa and New Guinea (pp. 65-73, 364). Participation of the commission of the Verein Berliner Künstler in the design of the anniversary art exhibition, secretary Konrad Dielitz (pp. 122-127, 136). Association of Berlin artists to support its needy members and their surviving dependants (pp. 278, 288). Structural measures for the exhibition (pp. 262, 339). Glass paintings for the exhibition building (Bl. 290f.). Construction of a church on the exhibition site as a hall for the works with religious themes (sheet 219). Proposals by the architect Orth (pp. 198f., 226), Johannes Otzen (pp. 210-212, 280f.). Postponement of the Vienna Art Exhibition in favor of the Berlin Jubilee Art Exhibition (pp. 90-92, 115f.).<br />Inquiries about the exhibition program, free tickets, etc. Verein für deutsches Kunstgewerbe zu Berlin (pp. 95-98), Verein der Steinbildhauer, Peter Steffens (pp. 310). Request by Fritz Hummel to send a portrait of Leopold Ranke to the exhibition (pp. 408).<br />Program of the exhibition (pp. 147, 152, print, 161), Invitation to send the exhibition (pp. 107f), Application form (pp. 167). Sale of tickets by Soenderop

also:<br />- Letters from sailing on S.M.S. Gneisenau and stay in China (Tsingtau, Nanking), April 25, 1911 - June 15, 1912, 30 p.m.

Portrait before his departure for New Guinea as well as photo of the funeral service, with greetings of the woman, Annie Dauthendey

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

Minutes of the following sessions:<br />Section for the Fine Arts, Senate and Cooperative (Participants in varying composition: Alexander Amersdorffer, German Bestelmeyer, Wilhelm v. Bode, Peter Breuer, Adolf Brütt, Otto H. Engel, Reinhold Felderhoff, Philipp Franck, Richard Friese, August Gaul, Hans Herrmann, Ernst Herter, Hildebrand, Ludwig Hoffmann, Hermann Hosaeus, Oskar Hossfeld, Ulrich Hübner, Julius Jacob, Louis Jacoby, Gerhard Janensch, Ludwig Justi, Friedrich Kallmorgen, Arthur Kampf, Heinrich Kayser, Conrad Kiesel, Fritz Klimsch, Georg Koch, Karl Koepping, Max Kruse, Hugo Lederer, Max Liebermann, Hans Looschen, Ludwig Manzel, Meyer, Paul Meyerheim, Ernst Pfannschmidt, Bruno Paul, Fritz Schaper, Schmidt, Franz Schmitz, Walter Schott, Rudolf Schulte at Court, Raffael Schuster-Woldan, Franz Schwechten, Heinrich Seeling, Paul Seidel, Max Slevogt, Constantin Starck, Louis Tuaillon, August Vogel, Hugo Vogel, Anton v. Werner):<br />7 Jan. 1914 (Senate): Introduction of Ulrich Hübner into the Senate; changed award conditions for the Grand State Prize, copy of the ministerial decree of Dec. 9, 1914. 1913; confiscation of postcards with illustrations of sculptural works of art; approval of the elections of the Senate for the Landeskunstkommission; allocation of the surplus of the Great Berlin Art Exhibition to the Kunstausstellungsgelderfonds; award of the title of professor to Ulrich Hübner, Max Uth, Adolf Meyer and Hugo Ungewitter (Bl. 1).<br />30 Jan. 1914 (Senate): Bericht über den Aquarellmaler Max Fritz (Bl. 4).<br />18. Febr. 1914 (Senate): Approval of the proposal list for invitations to the next member exhibition, the proposed collective exhibitions and the inclusion of a small collection of works by the late sculptor Ignatius Taschner; draft regulations for academy exhibitions; Advice on the approval of a Martersteig memorial exhibition and an international exhibition by the Association of Artists and Art Friends; application for the title of professor to the painters Mattschaß, Grotemeyer, Maß and Baurat Seeling; scholarships from the Schmidt-Michelsen-Stiftung for Roloff, Hänsch and Korn (Bl. 5).<br />17 Apr. 1914: Review of the applications for the Grand State Prize; decision on the winners of the State Prize competitions: Painter Paul Plontke, sculptor Otto Placzek, (pp. 8, 10).<br />17 Apr. 1914 (Senate): Assessment of the painter Gustav Richter; award of the title of professor to the sculptors Dammann and Breitkopf-Cosel; election of Heinrich Seeling to the advisory board of experts for the protection of the city of Berlin against defacement; scholarship of the Schmidt-Michelsen-Stiftung for the sculptor Willy Kluck; quarterly award of the studios in Rome (pp. 8, 10). 12).<br />19 May 1914 (Senate): Assessment of the painters Alfred Stöcke, Grotemeyer, and Bielefeld (p. 15).<br />30 June 1914: Decision on the winner of the Dr.-Ing.Paul Schultze Prize for Sculptor 1914: Joseph Sommer (p. 18).<br />30 June 1914 (Senate): Decision on Scholarships from the Louisa-E.-Wentzelschen Stiftung: painter Erich Feyerabend, sculptor Friedrich Heuler, graphic artist Friedrich Maron, architect Hellmuth Korth (p. 19).<br />13 July 1914 (Senate): Application for the title of professor to sculptor Joseph Limburg, painter Hans am Ende, painter Otto Modersohn; prize assignment for the Dr.-Ing.Paul Schultze Prize 1915; Amersdorffer's expert opinion on the painter and architect Dreßler (page 22).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund; Great Berlin Art Exhibition 1915 (page 27).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund; Great Berlin Art Exhibition 1915 (page 27).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund. 1914 (Senate): Re-election of the vice-president of the Senate Schwechten; reappointment of the head of a master studio for architecture, vacant due to the death of Otzen; consultation on the proposed Friedrich Ostendorf; expert opinion by Engel on the painter Gotthilf Schnee; significance of the Prussian Art Association; Election of Liebermann as deputy of Looschen at the Permanent Deputation for Advertising at the Elders' College of the Berlin Merchants' Association; re-election of Kampf and Meyerheim to the Board of Trustees of the Adolph Menzel Foundation, of Hildebrandt to the Board of Trustees of the Adolf Ginsberg Foundation, of Liebermann to the Board of Trustees of the Dr.-Hermann Günther Foundation; question of an invitation to the Academy competitions for 1915; announcement of decrees of the Ministry of Culture (p. 29).<br />27 Nov. 1914: decision on the prize winner of the Dr.-Ing.Hugo-Raussendorff Prize in 1914, the painter Kurd Albrecht, and the winner of the v. -Rohr Prize 1914, the architect Pohle (p. 29).<br />Dec. 21, 1914: Remembrance of Giovanni Sgambati; spring exhibition 1915; composition of the exhibition commission for the Great Berlin Art Exhibition; Menzel Monument; acceptance of the Fischer and Wentzel-Heckmann Foundations; Schwechtens is elected to the expert advisory board of the city of Berlin; Dagnan-Bouveret and Saint-Saëns leave the academy (p. 29). 31f.).<br />15th Jan. 1915 (cooperative): Commemoration of Rudolf Weyr and Anton v. Werner; deficit of the Great Berlin Art Exhibition 1914; election lists for the elections of members (p. 50).<br />22nd Jan. 1915 (cooperative): election of Ernst Pfannschmidt and Friedrich Oskar Hossfeld as new members (p. 55).<br />12th Febr. 1915 (Genossenschaft): Composition of the admission and arrangement commission for the Great Berlin Art Exhibition 1915; demand for greater competence for the cooperative in the preparation of academic exhibitions (pp. 56-58).<br />17 Febr. 1915 (Senate): Proposals for the succession of the deceased v. Werner as director of the Hochschule für die bildenden Künste: Kampf, Dettmann, Manzel, Kallmorgen; establishment of a commission for reforms of academic teaching (pp. 35, 61).<br />17 Febr. 1915: laureate of the I. Michael-Beer-Prize: painter Berthold Ehrenwerth; no award of the Prize of the II. Michael-Beerschen Stiftung für Kupferstecher (pp. 36, 59).<br />15. March 1915 (Senate): Resolution to award support from the Schmidt-Michelsen-Stiftung to Korn, Brandes, Petrich und Miehe and from the Stadt-Charlottenburg-Stiftung to König und Dahmen (pp. 36, 59). 39, 64).<br />19 March 1915 (cooperative): Introduction of the new members Hossfeld and Pfannschmidt; election of Engel, Meyerheim, Liebermann, Brütt, Seeling and Hoffmann as senate members; discussion and vote on Hoffmann's motion to elect the members of the committee for exhibitions by the cooperative and rejection of 'co-optation' by the senate; motion against the propaganda of the 'Preußischer Kunstverein' (Bl. 65-67).<br />30 Apr. 1915 (Senate): Acceptance of the legacy of Koepping; refusal of the purchase of the v. -Werner portraits of Koner; extension of the register of the master student P. Joseph (Master School Humperdinck); notification of the appointment of Kampf as director of the Hochschule für die bildenden Künste (bl. 41, 73).<br />30 Apr. 1915: adjournment due to lack of quorum (bl. 72).<br />18. May 1915 (cooperative): commemoration of Oskar Frenzel; election of Friedrich Kallmorgen as chairman, of Hans Meyer as deputy chairman (p. 76).<br />4 June 1915 (Senate): entrusting of the committee for academic exhibitions with the submission of proposals for the purchase of works of art; Dr.-Ing.Paul Schultze Prize 1916; election of Franck to the Commission for the Guidance of Questions on the New Regulation of Academic Teaching (pp. 45, 78).<br />11 June 1915: Division of the Dr.-Ing.Paul Schultze Prize 1915: Herbert Garbe and Willy Kluck (pp. 46, 79).<br />16 June 1915: Splitting of the Sheet Metal Prize for Landscape Painters 1915: Erich Feyerabend and Erich Müller; Helfft Prize 1915 for Adolf Harten (pp. 47f., 80f.).<br />23 June 1915 (Senate): Acceptance of the S. -Fischer-Stiftung; list of suggestions for the purchase of works of art (p. 84).<br />28 Oct. 1915 (Senate): Election of Manzel as deputy chairman of the Senate; resolution of an exhibition of war pictures in the Academy; proposals for the purchase of works of art; appointment of Liebermann to the board of trustees of the Adolph Menzel Foundation and the Dr.-Ing.Hermann-Günther-Stiftung, von Hildebrand on the board of trustees of the Adolf-Ginsberg-Stiftung; travel report of the scholarship holder Adolf Harten (p. 93).<br />Dec. 21, 1915: Schmidt-Michelsen prizewinner: Walter Miehe (p. 96).<br />Dec. 11, 1916 (Senate): Introduction of Hans Herrmann; proposal for reoccupation of the v. Werner's master studios: Slevogt, Hugo Vogel, Dettmann; election of Hübner to the board of trustees of the Adolph Menzel Foundation (p. 98). <br /> Feb. 23, 1916 (Senate): support from the Schmidt-Michelsen Foundation for Korn, Douzette, and Brandis; protest against the plan to tax 'living art' through the war profits tax (p. 102).<br />12 May 1916 (Senate): Application to Georg Schmitt, Bennewitz v. Loefen, Max Schlichting, L. Corinth and Felderhoff for the title of professor; submission of Lederer's draft for the university ballot box (page 105).<br />5. July 1916 (Senate): Confirmation of the election of Schwechten as president, of Gernsheim as deputy, re-election of the senators Kallmorgen, Breuer, Kayser and Rüfer; re-election of Kallmorgen and H. Meyer as chairmen and deputies respectively in the Fine Arts Section and of Gernsheim and Rüfer in the Music Section; application for the title of professor to Rudolf Schäfer and Em. Grosser; amendments to the Maeder Foundation's draft statutes; letters of thanks from the Singakademie and Herter (p. 110).<br />Oct. 2 1916 (Senate): Election of Manzel as deputy chairman of the Senate; takeover of the composition of a cantata by Kahn for the emperor's birthday celebration in 1917, speech by Krebs; Max Bernhardt rejects the leadership of the Lippe-Detmoldschen professor title; re-election of Hübner and Liebermann to the board of trustees of the Adolph Menzel Foundation, of Hildebrand to the board of trustees of the Adolf Ginsberg Foundation and of Liebermann to the board of trustees of the Dr.-Ginsberg Foundation.Hermann Günther Foundation; examination of a medal of Eue (Bl. 113).<br />27 Nov. 1916 (Senate): confirmation of the election of Schumann as deputy president; rejection of a Bruno Schmitz exhibition; Boese's request for further use of a state studio; election of Kampf instead of Anton v. Werner to the board of trustees of the Emil Wentzel Foundation (Bl. 120).<br />8 Jan. 1917 (Senate): Remembrance of Dücker, Scholz and Rudorff; exhibition rooms for the Federal Foreign Office for the collection 'Deutsches Bauwesen im Kriege'; planning of an Alfred-Rethel exhibition and a second exhibition of war paintings; proposal for the award of a prize to teachers of the teaching institute of the Verein der Künstlerinnen zu Berlin: Siegert, Seeck and Schottmüller; dedication of Richard Müller's war drawings to the Emperor; re-election of Liebermann and Looschen to the Municipal Deputation for Advertising; election of Schwechten to the Advisory Board of Experts of the City of Berlin; acceptance of the Roeder Foundation; amendments to the statutes of the Wentzel-Heckmann Foundation; rejection of the extension of the matricel of the master student Salingré (Bl. 121).<br />Section for Music, Senate and Co-operative (participants in varying composition: Heinrich Barth, Friedrich Gernsheim, Engelbert Humperdinck, Hugo Kaun, Friedrich E. Koch, Carl Krebs, Hermann Kretzschmar, Philipp Rüfer, Philipp Scharwenka, Xaver Scharwenka, Felix Schmidt, Georg Schumann, Max Seiffert, Ernst Eduard Taubert):<br />17 Jan. 1914 (Senate): Application for the title of professor to Schattschneider and Franz Nekes, for the title of music director to Max Kaden, Krantz, Traugott Heinrich, Fritz Panzer and Schneider; Schumann's delegation to the police headquarters for consultations on regulations for the business operations of concert agents; amendments to the statutes of the cooperative of German composers; assessment of the new 'Euphonion' sound system by August Ludwig, composition by Wilhelm Grimm, ballad by Robert Linarz (Bl. 2).<br />21 Febr. 1914 (Senate): Minister's Notices: Instruction to John to shorten his composition, award of the title of Music Director to Kühn, Krelle, Traugott Heinrich, Adolf Göttmann und Ernst Potthof, of the title of Professor to Leo Zellner; Application for the title of Professor to Moritz Bauer, Heidingsfeld, Binder und Max Krause; Complaint to the Ministry about Breitkopf

Version<br />Topic: [The copies of early poems listed under no. 21120-21156 are summarized in a hand-bound volume and presumably come from the possession of one of Brecht's youth friends. They were forwarded to the archive in xerography by Werner Frisch, Augsburg.]

Reporting, dissemination of information to the press, correspondence with the following newspapers or publishing houses, etc: Demokratischer Zeitungsdienst, Art and Artists, Berliner Volkszeitung, Reichsverband der Bild-Berichterstatter, Berliner Adressbuch, Kunstverlag August Scherl G.m.b.H., Das Manuskript, Verlag Manfred Beirau, Fremdenverkehrsbüro der Stadt Berlin, Deutsche Allgemeine Zeitung, Atlantic Photo-Co., DIWESTE, Kolonialkriegerdank, Telegraphen Union, Der Bildwart, Europa auf Reisen, Allgemeine Transportgesellschaft, Deutsches Land, Grosses Berliner Wochen Programm, Presse-Photo-G.m.b.H.., Das Illustrierte Blatt, Deutsche Nachrichten- und Korrespondenzgesellschaft m.b.H., 'MINERVA' Jahrbuch der Gelehrten Welt, Adolf Schustermann Zeitungsausschnitte-Büro und Adressen-Verlag, Hesse's music calendar, Dresslers Kunsthandbuch, Deutscher Industrie- und Reklame-Verlag, Handbuch des Kunstmarktes, Pressestelle des Preußischen Staatsministeriums.<br />Suggestion of the 'Freie Presse' to the Academy for the appointment of the painter Paul Wendling as professor (p. 105). Press release about 'Die Dichterakademie zum Schmutz- und Schundgesetz', 1926 (p. 70); 'Warnung der Akademie der Künste, Sektion für Dichtkunst vor dem geplanten Zensur-Gesetz' 1927 (p. 46); Die Akademie der Wissenschaften (Preise, Mitglieder, Tätigkeit p. 5f.). Press releases about the academy, n.a. (pp. 29), Kreuz-Zeitung and Daily Rundschau from Febr. 7, 1928 (pp. 8f.).<br />Enth. et al: 'Ullstein Berichte', special issue for the 100th birthday of Leopold Ullstein, 1926 (p. 92); 'Hotel Esplanade' Almanac 1925-26, Hotel Esplanade Berlin, with fig. (p. 57); 'Grosses Berliner Wochen Programm' 3.-9. Oct. 1926, with fig. (p. 57); 'Großes Berliner Wochen Programm' 3.-9. Oct. 1926, with fig. (p. 57); 'Hotel Esplanade' Almanac 1925-26, with fig. 55); 'Mitteilungen des Deutschen Instituts für Ausländer an der Universität Berlin', 22 March 1927, with illustration (p. 44); 'Die Kunst-Keramik', Apr. 1927, Albert Lüdtke Verlag, with illustration (p. 40); 'Die Plastische Kunst' Zeitschrift des Allgemeinen Deutschen Bildhauerbundes e.V., 1927, no. 2, with illustration (page 39); Berlin city map (city centre) of the Exhibition, Fair and Tourism Office, [1927 ?] (page 20); 'Europa auf Reisen' no. 131, 1927, with illustration (page 17).

Table of contents (pages 2-7). Conversion of the Hygiene exhibition building for the 1886 art exhibition by Fritz Wolff; planning and redesign of the building, land issues, cost estimates, invoices, inclusion of the chapel erected by Johannes Otzen, etc. 1884-1887, transfer of the chapel to the Academy by Otzen, 23 March 1887 (pp. 16, 24-29, 35, 47f., 52, 56, 59, 63, 81-84, 87, 104, 107, 110f., 113-117, 121-123, 142, 148-152, 158-160, 173-177). Consultation of the building inspector Wolff with the exhibition and building commission of the senate (Becker, Gude, Encke, Gentz, Schaper, Ende, Raschdorff, Heyden, Kayser, v. Groszheim) 1884-1886 (pp. 8-11, 26, 33f., 36). Information on the size of the building, with hanging area, 1884 (sheet 12f.). Test works because of skylight 1885 (sheets 14, 31). Use of the building for the academy exhibitions after 1886 (pp. 135, 139). Organisation of an international art exhibition in 1891 (pp. 319-322, 329).<br />maintenance of the building, accommodation of post and telecommunication stations, catalogue and lottery sales points, restaurants, etc. 1884, 1886-1888, contracts between the Royal Ministerial, Military and Building Commission and the restaurant owner Mathias Bauer, May 15, 1884, and the brewery owner Anton Dreher, March 6, 1886 (pp. 20-23, 39-46, 53-55, 57, 62, 64f..), 71-79, 85, 124, 135, 142, 144, 146f., 166f., 169f., 186, 188f., 194-197, 207, 211-215, 221-213, 226, 228, 237-246, 251-254, 257-259, 262, 265, 285, 287, 293-300, 317). Fees for fire brigade, water, opening ceremonies etc. for the art exhibitions 1886-1888 (sheets 68-70, 86, 88-90, 106, 118, 124-133, 136, 140, 196-200, 209f., 216-220, 223, 227, 281, 283). Report on a meeting of the Art Exhibition Commission (participants: Carl Becker, Hans Gude, Adolf Heyden, F. Possart, K. Eschke, Karl Friedrich Zöllner), Dec. 9, 1889: Structure of the interiors of the two long halls of the exhibition building (page 325).<br />Use of the Stadtbahnbögen for storage and exhibition preparation, as studios of the sculptors Ludwig Klinck, H. Walger, A. Mantke, Wischen and F. Lange, for storage of the plaster models of the Royal Museums and the equestrian statue of Washington of Siemering, for the photographer Ottomar Anschütz 1886-1890, with inventory list of the rooms 1886 (pp. 37f., 49-51, 60f., 153-157, 161f., 165, 171f., 178, 248, 279f., 282, 286, 289-291, 337, 374, 377f., 380f.).<br />Loan of the rooms or premises for the following exhibitions and works or to the following institutions and persons: Panorama and diorama of Pergamon and Olympia as well as of parts of West Africa and New Guinea by the architects Kyllmann and Heyden, 1884-1892 (pp. 16-18, 25, 124f., 128f., 138, 163, 318, 383), apprenticeship work of the trades 1887/88 (pp. 66f., 105, 108f., 112, 119f..), 145, 229-232, 241f.), Künstlerhalle des Vereins Berliner Künstler 1886 (pp. 80), Germania figure of the sculptor Siemering for the Leipzig Victory Monument 1886 (pp. 137), model of a fountain by Reinhold Begas 1887, 1888 (pp. 164, 187), garden party of the Berliner Verein für häusliche Gesundheitspflege 1887 (pp. 164, 187). 179), the lottery objects (with list) for the 'German Militair-Musiker-Unterstützungsfonds' 1887 (pp. 180-185), Reiterfest für die Berliner Stadtmission 1887 (pp. 190-193, 204), apparatuses for industrial accident prevention 1889 (pp. 201-203, 205f., 260f., 263, 266-280, 282, 284, 288, 290-292, 301-306, 315, 326-328, 330, 332-335, 345-350, 354f., 367-370), Association for the Promotion of Horticulture 1890 (pp. 224f., pp. 224f., pp. 266-280, 282, 284, 288, 290-292, 301-306, 326-328, 330, 332-335, 345-350, 354f., 367-370), 233f., 236, 323-325, 331, 350, 362-365, 371-373, 375f., 384-394), plans and models for inland navigation 1888 (pp. 249f., 255f.), products of the German wool industry 1891/92 (pp. 307-309), photographs by the photographischer Verein zu Berlin 1891 (pp. 310-314, 331, 352f., 359), award-winning designs of a Kaiser Wilhelm National Monument by Hildebrand, Hilgers, Schaper and Dr. Schilling 1889/90 (pp. 316, 366), for the X. century (pp. 316, 366), for the German National Museum in Berlin (pp. 366), for the German National Museum in Berlin (pp. 307-309). International Medical Congress 1890 (pp. 336, 338-344, 356-358, 360, 368, 379, 382).<br />Enth. et al: Site plan of the site at Lehrter Bahnhof with ground plan of the exhibition building, with scale, approx. 69 x 105 cm, print, 1886 (page 1). Ground plan of the annex to the main building of the Hygiene Exhibition, 1886, watercoloured pen drawing, with scale, approx. 66 x 48 cm (p. 168). Conditions for Participation in a City Telephone System', print, Jan. 1886 (pp. 54f.). Norddeutsche Brauer-Zeitung, 11th year, no. 30, May 1886, with article about the unjustified beer prices in the exhibition park (pp. 92-103). List of raffle items for the German Militair-Musiker-Unterstützungsfonds 1887, print (pp. 182-185). Application form and 'Conditions of the international medical-scientific exhibition in Berlin' of the X. International Medical Congress 1890, prints (pp. 357f.).<br />Protocols of the sessions of the Senate, Section for the Fine Arts (participants: Carl Becker, Julius Schrader, Albert Wolff, Hans Gude, Ernst Ewald, Eduard Dobbert, Karl Friedrich Zöllner, Meyer, Jordan, Adolph Menzel, Ludwig Knaus, Wilhelm Gentz, Rudolf Siemering, Adolf Heyden, Friedrich Geselschap, Otto Knille, Erdmann Encke, Johannes Otzen, Julius Raschdorff, Wilhelm Amberg, Otto Polenz, Alexander Calandrelli, Franz Schwechten):<br />10. Oct. 1888: Implementation of the academy exhibition 1889 despite 'Deutscher Allgemeiner Ausstellung für Unfallverhütung' (excerpt; pp. 267).<br />13 Oct. 1888: academy exhibition and exhibition for accident prevention 1889, necessity of an own art exhibition building (excerpt; pp. 268f.).